Braille Matters

The Jisc Accessibility Community ran a Drop-In on the 1st October entitled ‘Braille Matters’. We had a very enlightening presentation by Elizabeth McCann from the Scottish Sensory Centre, introducing the history of braille and why it is still important despite the prevalence of digital technology. I was invited to give my perspective as a learning technologist working with vision-impaired students at my university and I did this by answering some questions which are detailed below.

The recording will available from Jisc’s Accessibility Community youtube channel – look for the recording from October 2025.

What led you to learn braille?

The first blind student I worked with was so good at braille I didn’t even think about learning it. Instead I focused on accessible maths or ways in which maths could be converted more easily into single line maths. With a braille display you only get one line of characters; you can’t access ‘laid out’ maths.

The second student I worked with wasn’t so confident with braille, but likewise needed to be able to do quite a bit of maths in her discipline. I really wanted to help her with her braille and screen reading technology. This led me to at least try to bridge that gap and it started me off learning as much as I can about braille.

It’s not the first time a student has explained to me that it can be hard to learn maths if you only listen to it; students find that having something tactile (braille and diagrams) can help them to revise better and engage more with the content. It helps for them to have multiple modes of representation, just like for sighted students. As they don’t have the use of their sight, having tactiles and braille is really important.

How did you get started?

I think I looked at tonnes of web resources and realised how much memorisation was going to be involved. So I found an app called Braille Academy on my iPhone and in a weekend I had mastered the alphabet. I highly recommend this app for learning the braille code by sight.

I was frustrated at not having any texts to practice with though. I went around looking at any available braille in public or on the web but was frustrated by how much I couldn’t yet decipher because I hadn’t yet encountered contracted braille at the start. Not all braille is spelt out like English words-contracted braille are like short forms of characters or words to help reduce the length of braille. For example we use eg to mean the word ‘example’. Braille has lots of things like that. This does mean that until you’ve mastered grade 2 braille, you can’t always understand braille texts that you come across.

This led me on to the UEB Online website where you can learn to type braille on a normal laptop, turning the letters sdf and jkl into the 6-dots on a braille machine. To explain, braille is normally typed using a 6-dot device like a Perkins brailler or on some braille device. This UEB braille fingering chart shows how characters are normally input with 6-dots and UEB Online’s guide to using the keyboard explains it in more detail.

On the UEB Online site, you can practice reading braille, converting that into text and converting text into braille. I’ve finished module 1 and I’m working on module 2. I’m also loving the Braille Decoded app on my phone for practising reading and typing braille.

Braille Decoded reading exercise on the iPhone.

So you can type braille with a normal keyboard?

You can type 6-dot braille with the sdf and jkl keys if you are using UEB online, or you can switch on 6-dot entry with some software like BrailleBlaster. With the NVDA screen reader, you can use an add-on called PC keyboard braille input and that let’s you use the sdf jkl keys to imitate the 6-dot entry that someone with a braille notetaker would use.

I just want to make it clear that you can’t type English text, change the font to something like SimBraille and then think that’s ok. This would just be a font change for a sighted person – it might be useful if you’re learning braille by sight, but it doesn’t do anything for your braille student. You might as well just give them the digital file in plain English as they will usually have the technology that handles the conversion to braille.

For text or maths to be converted into braille that can be embossed by a braille embosser or read on a braille display , there is a converter called the Liblouis translator. This conversion is built-in with a braille display, on an embosser or in software like BrailleBlaster. You don’t have to download it or do anything yourself except to choose what level of braille you want it to output. You can set it to convert to Grade 1 braille, Grade 2 braille and so on. So you can give students an accessible digital file and their braille reader will usually handle the conversion into braille code. PDFs are not accessible for braille readers, fyi!

If you don’t know the braille, can you look it up somehow?

There are quick reference charts like the Hadley chart or the Aroga braille reference sheet or the Duxbury braille reference sheet. But there is no easy way to look up braille dots digitally, which is frustrating. If I come across some new notation in braille when my student is doing their maths, I can’t just look up dots 4 5 6, 2 4 6 and work out what that is. I’ve tried using google search or even AI but this fails terribly, so I wouldn’t suggest believing anything they offer you. So I rely on the charts or the manuals but it’s not easy to find what you need when it’s not always laid out to help you find the code.

Braille dots 4,5,6 is explained as upper case letter D, demonstrating how Google search for braille dots can fail to provide the correct information.
Google search failing to deliver anything accurate about braille dots.

What’s the added challenge with maths and braille?

You can imagine what it’s like with the maths, even for sighted students, you have to get to know the various symbols, how they are laid out, how they are pronounced versus how the equation is read out. You have Greek letters and other symbols for vectors or differentials or matrices. Until you’ve learned that braille, you can’t ‘read’ the maths! And there are currently two different braille codes for maths. If you come from America, you’re likely to learn Nemeth Maths. In the UK we use UEB maths. So that’s another layer of ‘fun’.

In reality what works fastest for the learners I’ve worked with is for them or their transcriber to work with them to invent a way to represent new symbols. People suggest you could teach them latex since that is technically a single-line approach to describe the maths you want, but it makes it very unwieldy. You can’t just have a / for a fraction. You would have to read \frac which is about 6 characters in braille. When you only have about 40 characters available per line, it takes a lot of effort to remember everything in your head to visualise the equation, never mind then trying to solve it! Read more about this frustration written up by one of our graduates in An Accessible Maths Journey.

So do you think lecturers ought to learn braille?

It’s not necessary but it can be fun and it means you are showing an interest in the student’s way of working. I think it’s ideal if lecturers will co-create materials with the students so they can tell you what works for them. At a minimum, using the tactipad and a braille labeller can be easy for anyone to get started creating braille-labelled things. (See Prepare tactile resources if needed).

Can you tell us more about these tactile materials you’ve written blog posts about?

We encourage our lecturers to prepare tactile materials that can more easily explain complex charts or graphs. These can provide an alternative medium to understand concepts and it really is down to the preference of your learners as to what needs converting.

Previously we didn’t have a braille embosser so all content was either made tactile with a PIAF swell machine or by hand! See Creating tactile graphics for VI students part 1, part 2 and part 3. To help the lecturers understand how to work more accessibly with our VI students, I wrote a blog post about Preparing to teach our VI students and sent emails round to the lecturers. What continues to make me very happy and amaze me is how creative our lecturers can be when trying to make tactile graphics. The blog posts have several examples but the most recent example is a joy to behold; it’s fun to look at, great for textures and easy identification, and it has a number one on the top left so you can tell which way is up and which item it is in a series of 9 such diagrams! I hope they had a lot of fun making them because they were a real pleasure for our student to use in the lecture.

A colourful tactile graph made by a lecturer.

So the example above doesn’t have any braille labels on it, but the student can add these braille labels themselves or they can add a Penfriend label to record an audio description. (See Tools for creating tactile graphics). The only challenge with some of these tactile materials is storing them – they can be bulky to store or flatten over time if too much is piled on top of them. A student recommended these expandable hole-punched pockets to store their braille content. I haven’t found them in the stores, but I’ve managed to source some on Temu!

A4 expanding punched pocket file with an A4 book inside to help show the depth of expansion.
An A4 punched pocket file that expands for items with some depth.

So you now have a braille embosser? Will that speed up the creation of tactile content?

Yes, we now have a SpotDot embosser but we’re still learning to use it, and we have an added challenge. Most HE will end up with using a networked computer to print to the embosser – this means you can’t get to the printer settings if you don’t have admin rights. We haven’t solved that one yet, but we’re getting by in the meantime. Once I have learned more, I’ll write it up on our blog!

We went for the SpotDot because some students have some sight and appreciate being able to see large fonts or colours on the page as well as being able to feel the braille or embossed patterns. It’s also useful to have print on any embossed material so peers or helpers can understand what’s on the page.

The embosser is going to help us produce more professional looking resources for our students – I think I’ll miss seeing the creative outputs from our lecturers so I hope it will be a blend between the two. It’s also going to be great resource for our students who don’t always have a way to print their own notes out from their braille reader. Now they can emboss multi-line reference material to refer back to easily.

One of our students have their own Index V5 embosser so I’ve had to get to grips with that as well. It’s always good to learn something new!

Do you have any examples of how your students are using braille creatively?

My current student taught me about the braille slate (See Tools for creating tactile graphics) and I’ve been using mine to emboss labels on diagrams, but I was blown away by her weekly planning board in braille. It’s a cork board and there are braille labels for each day, arranged to remind her of the structure of the day. Things like ‘study’ or ‘lunch’ are timeboxed in there. Fixed labels have flat drawing pins and other labels have push pins. It’s an amazing example of her creativity that she can invent something she needs. I take for granted my ability to make notes in my bullet journal to help organise my week or my thoughts and this is how our student has created a similar tool for herself. What an inspiration!

A student’s weekly plan in braille on a corkboard.

What’s next?

We now run regular workshops for staff on creating tactile materials and we’ll be showcasing the equipment that we have to help them with this. Our students come along to the workshop and it can be a really good exchange and very educational! (See Reflections on our Supporting visually impaired students workshop).

I’ve been learning more about screen readers and braille readers and how to teach these skills as well through a great site called Eye.T Vision.

I’m going to continue on my braille learning journey. There isn’t a formal course that I can go on to become qualified without having to pay out a lot of fees myself, so for the time being, I’ll just carry on with the UEB Online courses and certificates. I am learning a lot from working with our braille users so I feel very privileged to be able to learn directly from and with them. I would happily run a beginners braille workshop for a bit of fun – it would give me an excuse to bring out my Lego braille bricks and other bits of kit I’ve been accumulating – learning braille can be a gateway to spending all my money exploring all the tools and technology that can help blind people!

Enhancing Inclusion for Neurodivergent Students in Mathematics and Statistics

17 September 2025 saw me visiting the University of Coventry for the Enhancing Inclusion for Neurodivergent Students in Mathematics and Statistics workshop. This was held in collaboration with the University of Bath and funded by the London Mathematical Society (LMS). The event was held at the Library, a wonderful building with silent and group study spaces, promotions for mental health and well-being, study skills, IT skills and home to the writing skills centre and maths and stats support centre (SIGMA).

Judy Hornigold, Independent Educational Consultant specialising in maths and learners with dyscalculia and dyslexia, introduced us to the key concepts of the day:

  • Delphi definition of dyslexia
  • Dyslexia, Dyscalculia, ADHD and other neurodivergent conditions can co-occur.
  • About 6% of the population may have Dyscalculia compared with 10% of the population with Dyslexia. They can co-exist. Someone with Dyscalculia usually struggles with numerical magnitude processing.
  • UDL principles can really help us prepare for our neurodivergent students – plan for multiple means of engagement, representation (text represented through diagrams, flow charts, mind maps or other visuals, videos etc), action and expression.
  • Tiny tweaks can make a difference. Digitally accessible documents allow for font and colour change. Provide notes in advance. Create materials with smaller ‘chunks’.
  • Highlight important points clearly (a callout in the notes for instance) and repeat important points clearly.
  • Make the abstract concrete through examples and tactiles where possible
  • A whole person approach is needed, not just strategies for someone to learn the maths and stats. Support students to develop a growth mindset, help them reframe anxieties and develop progress strategies. (The Maths Anxiety Research Group at Derby University.)
  • Students experience extra cognitive load and may have to ‘overlearn’ as one strategy that helps them to develop automaticity, something neurotypicals may take for granted.

After a break, we had short presentations from 3 practitioners:

Emma Cliffe (University of Bath)

A long-time contributor and supporter of the Jisc Accessible Maths Working Group, Emma has been a promoter of accessible maths for the longest time. She is also head of the Mathematics Resource Centre (MASH) at Uni of Bath. She used 4 student personas to explain how she approached adaptations to teaching for the various students’ challenges. Key to successful adaptations were using as many tactile and visual techniques as possible and encouraging the students to experiment to find out what worked for them. Her stash of manipulatives made me slightly jealous, as someone who is constantly collecting equipment to create a more tactile experience for the VI students I support!

Emma Cliffe’s store of tactiles for teaching STEM concepts.

She also showed some digital tools useful to students who needed to visualise and manipulate in 3D, for example, geogebra. An interesting point I hadn’t considered was how helpful colourised equations could be in enhancing structure in an equation. I followed a link to her source for this (Visual explanations of mathematics by Matt Hall) and was drawn into how annotated equations could be a wonderful explainer and notetaking strategy for students. This handwritten student note beautifully illustrates the use of colour and annotations combined into a learning strategy.

From Emma’s slide deck: A handwritten card capturing a concept image from analysis.

Judy mentioned how organising information into smaller chunks can be a helpful strategy. Emma illustrated this with a flowchart ‘chunked’ into steps to reduce the overwhelm that can come from a complex figure – sequencing flow diagrams. Her guide to equation entry in Word is a vital resource I’ll be adding to our own Accessible Equations site, especially in the section, Notetaking Maths for students.

Jonathan Fine (Open University, retired)

Jonathan provided an entertaining and tactile insight into how Pythagoras’ theorem could be introduced and proved to anyone with sight impairments. He brought along some tactiles he had made and split us into two groups to solve the puzzle together. Playing with such tactiles can be very useful for vision-impaired students but it can also help neurodiverse students, turning abstract concepts into something concrete. The activity also illustrated how working in a peer group could help everyone with their maths. 

The Mathsgear site was mentioned as a good source for more tactiles. I think the site is going to be a big drain on my pocket money!

Jonathan and his wonderful tactile Pythagoras ‘tangram’.

Jonathan very kindly provided a follow-up video after the event to demonstrate how the tactiles work. (Credit goes to Maurice Laisnez who found this proof in 1939.) Feel free to contact Jonathan about his tactiles.

Balvir Bains (Loughborough University)

With her experience as an engineer, Balvir is well suited to working with Sports students at Loughborough Uni who are worried about maths. She explains things in practical terms and with concrete examples to help students understand how the maths applies to what they are learning in their discipline, or in their everyday lives.

Other speakers and discussions

We had some lovely insights into the work of two of Coventry Uni’s specialist study skills tutors, Dove and Louise. It was really helpful hearing about their contact time with students and their varied approaches to supporting students. Empathy was the key message they put across, with the quote from Henry Ford:

“If there is any one secret of success, it lies in the ability to get the other person’s point of view and see things from that person’s angle as well as from your own.”

They introduced the idea of the Autism Wheel (so many people think of autism in terms of a spectrum) which can better encapsulate the range of traits that may be exhibited by different autistic people. They shared the irony of being so willing to help that you can overwhelm someone with too much variety and choice; less can be more in this case and small concrete steps are often best.

We had discussions at our tables reflecting on top strategies from our own practice. Jonathan very gamely held up our contributions for presentation to the room. Our top tips or takeaways were to make things concrete, provide 1:1 appointments, and to encourage peer support activities.

Jonathan gamely holding up our post-it notes from the table.

During Q&A, I asked if anyone had found the best font to support coding and maths. It’s a real dilemma for students who need to use a sans-serif font – they still need to be able to tell apart characters like the letter i, the letter l and the number 1 and a serif is usually the way you can do it. Some programming software will have syntax highlighting, colourising parts of code and that can be helpful. Jonathan very kindly followed up with an email sharing the Hyperlegible® font. It’s also available via Google Fonts.One of the best bits of the day for me was meeting Jonathan and Emma in person, two people I have worked with through the Jisc Accessible Maths Working Group over the years. Emma informed me that the sigma Network will be focusing more on the neurodiversity space for Maths and Stats now that the Jisc Accessible Maths Working Group is there to look after the ‘technical accessibility’ part. Both aspects need to come together in practice, of course. However, it makes sense to specialise and support colleagues in these two areas with specific advice where possible.

From left to right: Lilian Joy, Jonathan Fine and Emma Cliffe.

It was a well-organised event, with time for a visit to Coventry Uni’s sigma or Maths Skills Centre and networking. Many thanks to Dr Yamuna Dass and her team for organising a very fruitful workshop!

Having read this far, what are your key takeaways for supporting neurodivergent students in maths and stat?

Useful links

Preparing to teach vision-impaired students

As we head towards the start of semester, it’s a good time to prepare for our students. There will be lecturers new to teaching students who are vision-impaired (VI). This blog post aims to review the tips, support and resources available to help you with your teaching.

1. Make digitally accessible resources

The first step is to ensure all your resources have been through accessibility checkers and corrected to ensure they have

  • good heading structures (start with a H1 and don’t skip heading levels)
  • text is styled using the Styles menu (eg normal, H1, H2 etc)
  • alt text and/or good captions for any images
  • descriptive hyperlinks (not ‘click here’)
  • tables have header rows and are only used for data, not layouts
  • colour contrast is good (does it still work if it’s in greyscale?)

Attend Creating Accessible Documents and Presentations workshops if you need to boost your confidence on any of the above, or consult our Digital Accessibility Practical Guide and Digital Accessibility A-Z.

2. Provide resources in advance

Plan to provide these to any VI students a few days in advance. If any resources need to be converted to tactile formats, you’ll need to plan for this to be done even earlier.

Having digital resources means your students can prepare for the session. It can mean they can zoom in to a screen to follow along with your slides or more easily make notes along the way.

3. Set up Reading Lists and tag them

Any readings should use the Reading List tool on the VLE and be tagged with Essential, Recommended and Background to ensure students will receive alternative formats for their essential readings if this is on their Student Support Plan (SSP). You’ll also need to identify individual items in your reading lists using the tag ‘Alternative Format Request (SSP)’. Follow the guidance on supporting students with a print impairment.

4. Prepare tactile resources if needed.

Tactile resources can help blind students to understand content that may otherwise take too long to describe, as illustrated by the tactile dental identification resource shown below with braille.

Tactile dental identification resource with braille.

Resources can be prepared through the following methods:

  • outsourcing to a transcription company – consult Disability Services on this approach
  • embossed using our own SpotDot embosser at the library
  • created using embossing film and a geometry mat (your department should purchase a mat and some embossing film). A braille labeller helps to label such resources. Your student may have their own geometry mat (like the Tactipad) and a labelling slate. See Tools for creating tactile graphics.
  • created using any materials that can provide texture, as illustrated by the ‘map’ of sampling areas made by a tutor below.
Outline map of areas being sampled on a Biology field trip, made with kitchen roll and paper tissue.

Find out more about creating your own resources through our blog posts:

We’ll be adding another blog post about accessing the SpotDot braille embosser at the library soon! We can also use the Creativity Labs 3d printers and the Cricut machine where relevant. If you need to talk through your ideas, feel free to contact the Digital Accessibility Unit.

Elva, a lecturer from Biology, had this to say about her experience of making tactile graphics and teaching a blind student:

“The tactipad thing was fantastic, but a good tip for future staff (which you probably already have as I think it came from you!) would be to flag the cognitive load involved for the student in interpreting the outputs, so staff need to be very selective in which diagrams to supply this way. Also, it requires some advance planning, to make sure that the images are generated the week ahead of the teaching and supplied to the student/s – this did require a bit of extra work on the part of the MO, to make sure the kit got passed around from staff to staff a week ahead, with the instructions etc, and to arrange the handover (both of the kit to staff, and of the diagrams to the student/s) at the right intervals.

Other thing is that I found that when live lecturing or doing workshops, when I put graphs up on the screen, I spent a little more time on explaining the axes verbally and on describing the overall trends than I might have done in the past, which meant I had to keep a careful eye on the overall timings… but I think that doing this actually benefits everyone, whatever their sight status, because it draws attention to the key information very clearly. (The student) did comment that she found this very helpful – but I think it benefitted everyone really.”

5. Describe the screen and your mouse actions clearly

As Elva suggests above, spending a bit of time explaining what’s on the screen helps everyone. Just as we suggest not using ‘click here’ for a hyperlink, saying things like ‘click here’ and ‘type here’ is not helpful. Imagine someone listening to a recording of your teaching session, like it was a podcast. What would they understand from listening back without seeing what’s on the screen? Being more descriptive means getting in the habit of saying things like “the button to open the software is in the top right area of the screen”. This could be helpful for students sitting at the back of a lecture theatre or anyone squinting at a recording of the lecture on their mobile phone!

Another good tip is to make your mouse pointer a lot bigger and brighter. On Windows, go to Accessibility settings > mouse pointer and touch, and set a bigger size for your mouse pointer. You can also choose a custom colour to make your mouse pointer stand out.

mouse pointer and touch settings

6. Face forward

Keep facing forward when you are talking. The change in direction of your voice if you walk around the room too much, or if you turn to face a board, can make it harder to understand you. This tip can help our hearing-impaired students too.

Always wear a mic and repeat any questions that students have asked by speaking into the mic.

7. Use the visualiser or share screen

If you are likely to handwrite during your teaching session, aim to use the visualiser with a good medium nib pen in a dark ink. Write bigger than your normal handwriting and keep the paper portrait to confine your writing to a narrow column.

If you are ‘canceling out’ any parts of an equation, be specific about what is being cancelled, not using words like ‘here’ and ‘here’.

If you are highlighting any part of a handout or diagram, again, be specific about the area of the handout or diagram you are drawing attention to.

If you have a screen magnifying student in your class, they may point an ipad or phone at the screen to take a picture so they can zoom in to see more clearly.

In some classrooms, you may be able to log in to Zoom and share your screen with the student. This can be very helpful for any screen magnifying students to follow along. Speak with the student beforehand to determine if this will be helpful – don’t assume!

Ideally you should have a digital copy of your notes that you can provide the student with before a lesson, even if you are then writing them out in your live teaching. Digital handouts help everyone! Maybe you can turn them into a gap fill instead to help all students with their note taking.

See our guide Live teaching for students who screen magnify.

8. Student tools

Your student may have tools like the Tactipad, a braille labeller or a Penfriend. (See Tools for creating tactile graphics.) By collaborating with the student, you can help create effective study materials tailored to their needs, rather than making assumptions about what will be helpful. Always follow up with students to check if resources provided are working for them.

JAWS recently announced an upgrade that uses AI to help describe images called Picture Smart AI. Although your student may have access to such tools, only you will know the true context of any diagrams and images you provide. Do your best to provide useful summaries rather than expecting the student to get these for themselves.

9. Feedback

It’s a good idea to learn from the student along the way and to learn from colleagues who have taught before you. Make sure you check in with students to ensure your materials and teaching practice are working for them. The earlier you can make adjustments, the more likely it is that you will help your student to succeed in your module. Share any successful tips with us and with others in your department. As Elva noted, one key tip is to pass any knowledge gained to others in the department so the student doesn’t have to keep repeating themselves.

Workshops

The Digital Accessibility Unit will run workshops through the year to gather staff and students together so we can continue to learn from each other. Our next Preparing to teach VI students workshop is on online on 10 September (for UoY staff only). We will make a recording and share it in another blog post.

We’ll organise another face to face workshop once Semester has started so people can interact with tactile materials and ask any further questions. Read about our previous workshops.

Resources and Support

Learning to teach more inclusively takes practice. Be patient with yourself and aim to develop your skills and habits over time. If you have a question, feel free to add to our Frequently Asked Questions document.

External resources

Reflections on DigAcc25

The digital accessibility conference, DigAcc25, that took place in June 2025 continues to resonate with me. This blog post is a delayed reflection on the event; by writing about it, it’s also an opportunity to review what I learned and how I intend to take any ideas forward in the year ahead.

Organised by the University of Nottingham, it’s a hybrid event allowing people to join online or in person. Various universities set up in-person events for staff to attend and once again, we were able to host a ‘goggle box’ encounter at the University of York. Many of us found coming together in person to attend an online conference to be an enjoyable and sociable event last year, and it continued to be a successful format this year. It also gives me a reason to do some baking and to share some swag from Gavin Henrick (Brickfield Education) and from Everway (formerly Texthelp). With 15 attendees, it wasn’t the most busy event, by any means, but it was still a great opportunity for CPD for those who attended. We were blessed to have several students (and a past student!) join us for a rich lunch time discussion.

DigAcc25 event at the Uni of York included a stand with posters, freebies and buns. Staff and students are featured in the rooms and standing around the stand.

Running this for the second time meant it was easier to organise as we could simply duplicate local sign up forms, promotion campaigns, room and AV organisation etc. However, the event happens at a busy time for academics who are marking to deadlines. This does limit engagement somewhat on the day. I’d be interested in finding out how other universities managed to get more academics involved in their event. One idea I have is to ask colleagues to submit papers for the event which may encourage others to sign up and attend at least one or two sessions.

I was personally more drawn to any sessions that were being presented by academics as their accessible practice was something I wanted to share with colleagues. Cerian Brewer (Uni of Nottingham) did a great job explaining why she decided to adopt more accessible and digital practices to help all students in her Maths module. Likewise Robert Barham (Uni of Leeds) shared a specific workflow to output accessible formats from LaTeX using BookML. Many of us found it a pity that the Maths and STEM sessions weren’t all grouped together so those who were interested in the topic were able to sit in one room together for a whole session. Perhaps it’s something Nottingham will consider next year in the organising of the event?

Another topic that drew my interest was Isabella Henman (The Open University) talking about Co-designing workshops with neurodiverse students. With my Distractibles hat on, I found myself drawn to the keyword ‘neurodiverse’. It made me realise how important it was to have the right keywords in the title of someone’s session, making it easier to find the topics you wanted to see. Again, if sessions were grouped together by theme, it would take the pain out of figuring out which room to go to for the specific session you wanted to view. Colleagues found having to sit through ‘strategy’ sessions less meaningful if they weren’t involved in this work. I know I can sell a 1.5 hour session to academic colleagues more easily if they know they were going to get insights from multiple speakers on a topic of interest!

I found my own presentation with colleague, Chris Brunt from EDI went really fast! We presented on the progress we’d made at York on embedding accessible procurement into our infrastructure, a topic that was nicely presented last year by UCL (Session 1: Shifting everything left. Getting digital accessibility right in procurement via the Accessibility Passport) and Viki Galt (Session 3: University of Edinburgh: Efforts to Implement Institutional-Wide Accessibility Testing). You can catch up with mine and Chris’ recording in Session 3, Invisible Infrastructure, Visible Impact: Embedding Accessibility Where It Matters Most).

My colleague, Alice Bennett, presented on a timely topic, Al and Accessibility: assistance, responsibilities and risks. You can catch up with her recording on Al and Accessibility in session 2, DigAcc25 website. Alice wrote a great blog post on this topic too (AI and Accessibility: feature, the future or fad?).

Our lunchtime discussion was the highlight of the day as it allowed us to regroup and consider how digital accessibility was progressing at the University. We acknowledged that there was signficant progress in some departments while others were lagging behind. A programme leader commented on how we needed to provide more support for the managers having difficult conversations with academics on the standard of their resources. We felt the European Accessibility Act provided another opportunity to raise the profile of digital accessibility at the Uni. In terms of feedback for the conference format, everyone enjoyed spending the time together but wanted sessions to be based on topics and have more student representation. We also wanted more realistic representations on challenges and issues rather than just hearing about successes.

When I reflect on what I wrote about last year’s DigAcc24 conference and what actions we hoped to take forward, we’ve made great progress on creating the infrastructure for procuring accessible systems, including the development of personas to bring to life the issues disabled staff and students can face. We’ve also made progress on supporting staff to create accessible documents. However, the current climate does make it difficult to engage academics in discussions to change their practice when they have been faced with redundancies and other cut backs. We are lucky to have some very dedicated staff we can work with to encourage greater adoption of accessible practices. We just have to keep on amplifying their good work and continuing to use student voice as much as possible.

So optimistically, here are some actions for me to consider, following this year’s DigAcc25:

  • Catch up with more of the recordings and share with colleagues who I believe will benefit, especially the Accessible Maths sessions. Organise an internal meeting of the accessible maths working group to consider further actions.
  • Follow up with colleagues who are in the procurement process to see how the audit training has helped them. Collate stories to share.
  • At our e-accessibility working group, discuss how we provide more support for managers trying to raise the standard of their team’s resources.
  • Encourage colleagues and students to deliver sessions at DigAcc26.

A big thank you to the staff and students who volunteered to help with the day. It was much appreciated and made the day flow very smoothly. See you next year!

Catch up with recordings at DigAcc25 website.

Making accessibility training accessible

“Who watches the watchmen?” is a famous question. Less well known but also worth considering is “How accessible is accessibility training?”. To improve digital accessibility in society, we need as many people as possible to engage positively with training and adopt more inclusive habits and accessible practice. Therefore accessibility training needs to be accessible in the widest sense of the word – not just in terms of accessible materials and formats, but engaging content which makes the user feel able to adopt better practice and apply this to their work. It needs to feel achievable and relevant, to help persuade people to improve the accessibility of their digital practice. But how to achieve this?

Over the last two years, I’ve worked with a colleague from the Academic and Digital Skills team, the staff digital skills training lead, to co-create and deliver a programme of digital accessibility training at the University of York.  Prior to this, Lilian Joy delivered the Accessible Documents training online on a monthly basis for 3 years.  Before that, our training was face to face in computer labs! We’ve trained over 2000 staff over the years on creating accessible documents. In this blog post, I explain the approach we’ve taken with Digital Accessibility staff training, looking at the challenges this type of online training presents and how we’ve tried to address these.

General challenges to staff training

Although there are challenges specific to accessibility training, there are some general challenges applicable to most (if not all) staff digital training to contend with in Higher Education. 

The first two of these are heavily linked – time and workload. Finding time to attend training is a persistent problem – it can be difficult to prioritise professional development when you struggle for time to complete more pressing tasks. Short term demands can block long term development. This situation is becoming more pronounced for colleagues across Higher Education institutions across the UK, as cuts to the sector and efforts to save costs see a reduction in staffing for many teams and departments. For many staff, this has seen increased workload or taking on new roles, which can make setting aside time to attend training more difficult. There is a mandatory digital accessibility training package (completed by over 4000 staff annually), but all training sessions beyond this are optional. They are encouraged by some line managers and recommended for roles where a computer is used, but the sessions we provide need to be something that staff see as manageable whilst time-poor and something they can fit into what may already be a stretched workload. 

The next challenge is the range of digital systems used at the University of York – a problem also faced in other institutions. Whilst the range of different roles, types of teaching and areas of research at the university is exciting, the number of different pieces of software and platform used to achieve this presents a challenge to offering digital training. Even when approaching something relatively generic, as a minimum we need to cover two workspaces, Microsoft Office and Google Workspace. Having to duplicate information for the same tasks across multiple tools and platforms makes any training lengthier. 

A coffee mug next to a laptop with a zoom call in progress.
Photo by Chris Montgomery on Unsplash

In planning any training, there is a tension between “light touch” and “heavy duty” approaches. Which is the better approach? It’s hard to say – and you can get criticised for either! Keeping it light helps keep sessions shorter, more manageable and less daunting, but may not provide enough depth for everyone’s needs. More detailed sessions cover more material and will likely meet more needs of a wider audience, but you risk some attendees zoning out as they feel sections don’t apply to them. It can feel more challenging to the attendee with more to remember and typically it would be longer, presenting more of a challenge in finding time to attend a longer session. Essentially, this can come down to the questions, “Does everyone need to know everything? Or can information be broken down and split across smaller, more focused sessions?”. The type of approach may dictate the length of the session, but with either approach, there are also other considerations in organising training. How often will training run and what staffing is needed for that? What resources will be needed to support taught content? What format will these take and where will they be kept? These all need consideration when developing new training.

Specific challenges to accessibility training

There are some specific challenges to accessibility training, most about overcoming popular misconceptions about digital accessibility and accessibility more widely. Whilst making training feel relevant to attendees is important for any topic, it is often a particular issue in accessibility training. There are widespread perceptions that the need for accessible formats only concerns a few people, that accessibility only encompasses some very specific forms of accommodations, that it doesn’t apply to their role. As such, it’s important to make it clear how it can benefit everyone and demonstrate the relevance of content. There is also a tendency for people to view accessibility as an afterthought, as extra work on top of their existing tasks, which is also important to dispel when running digital accessibility training. Similarly, accessible practice can be perceived as difficult, so again promoting how accessible habits can be easily adopted is important, so attendees feel confident in making their work more accessible, rather than daunted by the perceived difficulty of the task. 

The common perception of accessibility as extra work rather than a necessary part of the work process presents another potential issue. Is it right to have accessibility training as separate? People often feel confident in other areas of their work but want specific guidance on accessibility – understandably they do not want to go through a whole topic again to check that their practice is accessible. On the other hand, by having separate targeted sessions on accessibility, do we risk perpetuating the view of accessibility as somehow separate? We’ve tried to take a dual approach to this. We do offer focused accessibility training sessions, so otherwise digitally confident staff wanting just to focus on improving their accessible skills set can do so, but accessibility is built in throughout the digital training offer. The digital skills team ensures that accessibility features are covered in all their training sessions. So for example, if you attend training on creating academic documents, you will have the importance of heading styles explained and accessibility checkers promoted to you. If you attend the training on creating presentations, issues around contrast, readability and so on will be covered in slide design, tips about accessible screen sharing and use of live captions are given in the discussion of presenting your materials. The VLE team, likewise, have built accessibility information into their training sessions and their guides and site templates. This approach means that accessibility is taught and presented as an inherent part of the digital creation process and workflows. This dual approach means that anyone undertaking training is shown accessibility as a standard part of the digital process, but those concerned specifically about accessibility can attend standalone sessions or access specific resources to enable them to more quickly find the accessibility information they need.

Colourful woven fabric illustrating the concept of woven and integrated threads.
Photo by Mikaela Wiedenhoff on Unsplash

Staff Bitesize Training Programme

The Bitesize style and branding of training sessions was developed collaboratively by members of the digital skills team. Training is delivered in the form of concentrated 1 hour sessions filled with direct content featuring lots of live demos and Q&A. The training sessions move quickly but are recorded, for any staff who want to attend but are unable to, as well as to enable attendees to recap and consolidate as needed. The taught component is also supported by online resources and comprehensive guides to further learning available on the Skills Guides and Practical Guides. This concentrated style allows the sessions to be kept to a maximum of an hour of taught content, which is more manageable for staff to attend than longer sessions. This has been a successful approach, with the Staff Bitesize sessions becoming a recognisable program and sub brand within the university. 

The sessions are also consciously designed to be accessible. Captions are made available, for the online sessions, cameras are never required to be switched on, all materials are shared after the session so participants can focus on the content and not worry about note taking and we can provide alternative formats if needed.

We decided to introduce digital accessibility sessions as part of this, beginning with the Creating Accessible Documents session. This enabled us to tap into the established nature and platform of the Staff Bitesize progressions, using a familiar format with existing channels for promotion. Following positive feedback, we’ve since added a Creating Accessible Presentations session and a Google Sites session, which combines the practicalities of building a Google site with advice on how to do so with accessibility in mind and introducing accessibility statements. We’re also trialling Reading Lists training in this format, again combining the practicalities of using a system with information about using it accessibly.

Striking the right tone

A pen being pointed at a colourful xylophone, to illustrate the point about striking the right tone.
Photo by Kvalifik on Unsplash

As mentioned in the discussion of the challenges of creating this training, there are a lot of popular perceptions about accessibility and finding the right tone for the training is critical in tackling these. This is especially important when delivering digital skills training to a mixed audience, where not all attendees are digitally confident. As such, it’s important to adopt an engaging and relaxed approach – although arguably that is true for delivering most training!

But in an area where people are often concerned about whether they are doing the right thing or feel embarrassed about not knowing, creating a “digital amnesty” kind of atmosphere where attendees feel comfortable asking any questions is important. As the sessions run very content packed, we encourage questions via the text chat through the taught part of the session, to help create a clean recording, but after stopping the recording, we welcome any questions and also give contact details for any follow up questions. This enables attendees to ask questions without any concern they will be recorded, as well as giving the option to ask questions outside the session altogether, if preferred. These training sessions are supplemented by Accessible Document meetups run every couple of months to allow people to consolidate their learning and ask questions specific to their area of work.

People who haven’t thought about accessibility before are often aware they may not have been working accessibly or are worried they haven’t been – there is also a belief that accessibility training is effectively going to be a session of nagging and telling off, focused on what people should not be doing and things they must stop. To counter this, we try to create a reassuring atmosphere and avoid being too didactic, offering practical suggestions and giving examples of things that can be easily adjusted and adopted. Although there are a few hardline do’s and don’t’s, we make sure there is no punitive tone and encourage people to have a go, rather than fear getting it wrong. This is really important to encourage people to implement the content covered and also to help with their accessibility journey more generally. Nobody wants to feel nagged – and if someone feels attacked for previous behaviour or mistakes made, they’re less likely to engage positively. If we create a positive experience where attendees are shown ways they can improve practice and they feel good about that, they are more likely to put these things into practice, share this knowledge with their peers and be more positive about attending further accessibility training, either to go into greater depth or to cover accessible practice in other areas. I’m aware this passage makes it sound very calculated – although there is strategy behind this approach, more broadly we want people to enjoy and feel good about attending our training sessions just because that’s nice!

Resources

Besides the training sessions themselves, there is the host of content designed to support these – as well as being usable as stand alone resources for those who have not attended the training.  As mentioned before, the sessions are recorded. The recording is then shared with all staff who signed up to the session – so staff who are interested but cannot attend can sign up and receive the recording and materials after the session, whilst staff who attended have the recording to back through as a resource if needed. As the university is a Google institution, for sessions with slides, Google slides are used throughout the digital skills training program (although some sessions are taught entirely from live demonstrations and don’t have a supporting slide deck). Google slides are easily shared with colleagues, can be accessibly designed and can be easily downloaded and converted by users if required. We send the link to the slides to all who signed up after the session, along with the recording. My colleague edits the recordings to have chapters, making it easier for staff returning to the resource to find the section they need, making this a practical and accessible resource. Given the varied demands on staff of different schedules and teaching commitments, having recordings and other resources which can be accessed asynchronously is really important, as well as being more inclusive for any staff working weekend shifts trying to engage with training opportunities. 
The basis of our resources is the Digital Accessibility Practical Guide. This is part of a range of Skills Guides offered by the Academic and Digital Skills team, all of which are built in the Springshare LibGuides platform. This enabled us to tap into the established platform of Skills Guides at York, as well as this providing us with an open access and easily editable web presence for guidance and resources.

The University of York Skills Guides homepage.

The guide is then divided into topic sections for users to find what they need more easily. We use the guide to offer overviews and guidance for each topic, as well as having the slides used in the training sessions. We also include any relevant links and any existing templates. We try to add easy starting points for accessibility for each topic, by creating checklists and top tips, to help users start adopting accessible habits without feeling daunted. For the more complex task of creating a Google site and the accessibility statement for it, we offer a checklist and a template statement, to offer more support for what can seem an intimidating undertaking. We’ve also created a Digital Accessibility at University of York A-Z, in the form of a Google doc. This partly acts as a glossary, partly as a directory of useful links and contacts for all kinds of accessibility support at the University of York. It’s currently in the form of a Google Doc – not the shiniest of solutions, but it’s something we can very quickly edit as terminology, tools and services change, so it’s easy to keep it accurate and up to date.

Besides the Skills Guide, we’re also trying to improve general awareness of digital accessibility and digital skills training across the university through the use of Slack. Slack is a digital messaging tool used in many businesses and institutions, which allows for the creation of channels for particular groups or interests. As well as using Slack channels as a way to promote training and resources to staff, we use the digital accessibility Slack channel at York as a means of encouraging staff to seek community support and ask questions around the creation of digitally accessible materials. Slack has been in use amongst some professional services teams for some years, although its adoption by academic departments has been more recent, with many academic staff still not really using the platform. Consequently the reach is better to professional than academic staff, but overall use of the platform is increasing, so we hope it becomes a useful space for more staff.

We’re looking at how we promote the training to different staff groups. The uptake is stronger amongst professional services staff (although this is true not just for digital accessibility training but digital skills training as a whole), so we need to consider how to reach more academic staff and how to encourage them to attend. Amongst academic staff, we have more engagement from teaching staff than researchers, so again, that’s another group we need to try to work with more. We’re trying promoting the training in different places to try to improve this and reviewing how we advertise it to different groups. We don’t have an answer yet but it’s something we’re trying to address!

What’s next?

The positive feedback we’ve received from the training suggests the Bitesize approach is a good one, so we’re keen to expand our offer. However, given the size of the training offer and the need to repeat each session at least once through the academic year, we’re having to temper this enthusiasm with making sure we don’t overextend ourselves and offer more than we can deliver. As part of our feedback form, we ask staff what else they would like to see training on – there has been an interest in web content and social media, so we’re looking at how we can develop a bitesize session around that as our next addition to the digital accessibility training offer. We’re pleased with the feedback so far and hope to build on this with more sessions.

Working collaboratively with departments and teams and supporting them to create and deliver their own bespoke training sessions is one way to build capacity that is distributed and more sustainable. It can help for various disciplines or teams to run their own training sessions to meet their needs as has been the case with the students’ union, online tutors and various departments. Specific training may also be needed for teams like Communications or Systems Developers and often the best trainers can be found from within the team itself if specialist knowledge of software or coding is required. Additional workshops that are co-produced with students on specific needs are also proving popular with staff and put the lived experience of disabled students front and center in accessibility training. Lastly, user research has proved invaluable as a means for staff to engage directly with the challenges students can face when things are not accessible for them. No doubt there are other ways to make accessibility training more motivating, inspirating and accessible to more people and we hope to hear in the comments if there are ideas we ought to try.

From our workshop on supporting visually impaired student - here a student indicates issues on a webpage on a laptop, as she discusses with staff digital design aspects in course materials which make access difficult for her.

Creating tactile graphics for VI students – part 3

Tactile resources are useful to supplement the digital versions of resources, enabling a student to use multiple senses to understand the data, patterns and connections. In Part 1 of our Tactile Graphics blog series, I was just starting to tackle the heatmap resource shown below. Lots of digital tools are good at providing data through cell by cell access, but for an overview of the pattern, including the dendrograms at the top, it’s harder to convey with just one medium alone.

Heatmap example

A grid with cells coloured from deep red through yellow to various shades of blue. Branches along the top show connections between columns.
Fig A. Heatmap supplied by the lecturer.

Nothing beats a tactile for a sensory overview – it works in a similar way to a visual. Even if you can explore the data accessibly and digitally (and an Excel sheet coded up with a numerical scale might be just as effective for encoding ‘colour’ information), nothing beats being able to sweep your hand across to get an overview, then narrowing in on patterns or clusters by column or row, then thinking in terms of quadrants, which in this case may be helpful eg top left quadrant has a cluster of cells with a lot more red than top right quadrant), or even in 3×3 grid format so that the data can be discussed or written up in an analytical fashion. 

The heatmap made with braille dots on plastic film and paper.
Fig B. Tactile version of the heatmap.

So what was my thought process in making the tactile version of the heatmap?

First, I ‘upgraded’ my process to stick the film and labels directly on a sheet of A3 paper. Rather than a thin strip holding two A4 plastic films together (see Part 1), the A3 paper provides a more stable base for the entire resource. I can more easily write in pen on paper directly than on plastic film. This means I can quickly write the information I need for any sighted helpers using the resource with the student. Moreover, the braille labels are less likely to fall off paper than film. However, I would still recommend using double-sided sticky tape if possible. I conquered the curliness of the braille tape with one more step – I straightened out the curly braille tape by ‘scoring’ it – the opposite of what you would do to make ribbon curly. Doing it the opposite way meant I could make the tape stay relatively straight rather than curling up on itself. If you miss this step, the braille labels will try to curl the paper!

curly braille tape, metal ruler being applied to the tape resulting in a straight bit of tape.
Fig C. Curly braille tape being straightened with a metal ruler to produce a relatively straight bit of tape.

My next step was to work out a key to represent the temperature variance. Fig D. isn’t exactly the same heatmap but shows how I had to work out the various shades of blue to red to decide how they would be indicated in braille dots. A heatmap can also be problematic for those with Colour Vision Deficiency. Indicating the areas with simple numbers might be a useful way to differentiate the areas apart. I had trouble telling apart some of the blues and had to go through a very thorough process of comparing the tones cell by cell and numbering them to help me make the tactile!

Numbers on top of the heatmap in each cell.
Fig D. Another heatmap with numbers used to indicate the colour gradient.

Initially I thought to use braille letters to indicate levels of colour, but this soon became unrealistic. 0-9 is indicated by a permutation of 4 dots. The letter a is dot 1. After that you would need two cells to indicate something like 11. However, 11 would feel like the letter c, which is also made of two dots. I soon gave up on this method and went for grids of dots to indicate how high up the scale the temperature was so rather than ‘reading’ the grid, it would be a more rough and ready sensory resource, where no dots would indicate a cold cell and lots of dots meant a hot cell.

Close up of the braille dots and branches of the tactile heatmap.
Fig E. Using rows of dots to indicate higher temperatures.

The labels for each row had a number and letter string, for example, 40.2 G asd145_ghj789. I found the characters for each row too long to fit into the tactile, as shown in Fig F. It’s also not necessarily helpful to have the whole long string. The difference between
40.2 G asd145_ghj789,
17 G asd145_ghj789 and
13 G asd145_ghj789,
is simply in the first numerical characters before the letter G. Rather than making the student read a whole string of characters after the letter G, I opted to only put the first 2 to 3 characters eg 40.2 G asd. The longer characters could be put into a legend if it was necessary to do so.

The braille text for a row extends beyond the A3 sheet of paper.
Fig F. The braille for the row labels proved too long.

Narration

Another thing I added to the heatmap for the student was an RFID sticker to use with a Penfriend.

Penfriend and RFID stickers.
Fig G. Penfriend and RFID stickers.

With the RFID stickers, the student’s helper or tutor can help to record a narration about the heatmap on the PenFriend that she can go back to anytime she wants to explore this. She can play back the recording while exploring the map with her fingers. This helps with aligning words to ‘pictures’ and avoids overloading one channel for cognitive processing (Mayer & Moreno, 2003). The graphic should be described from ‘general to specific’ (Image Description Guidelines, 2015), giving the student a chance to gain an overall perspective of key traits before drilling down to more detail. Detail can be described in segments, starting with the top left quadrant and working clockwise, for instance. This is a good way to emulate how you might want data described back to you so you can discern if the learner has understood things correctly.

Although these RFID stickers are a great idea, it can be hard to tell they are even there when they are stuck down! To help her detect the presence of the sticker, I recycled some screw hole cover stickers that were languishing in a stationary cupboard – these were thick enough to be easily perceivable and when added to top right of the resource, they provided a clear indicator that there was an RFID label on the graphic and she could point her Penfriend to it to hear more about the heatmap. Gem stickers or anything slightly 3d would have been equally good, but the screw hole cover stickers were a good fit as they were much flatter, stiffer and stickier than gem stickers would be. However, gem stickers do add a bit of bling to the resource so choose whatever works for you and your student!

Gem stickers are sticky dots of fake crystal for decorative or crafting purposes.
Fig H. Gem stickers.

Art and craft

Don’t be put off by how much skill it might take to create some of these tactile resources; anything you can make to bring additional information to life is appreciated. Fig I shows a quick outline map created by the tutor to explain to the student how the outdoor sampling was going to happen. Various areas on a slope were indicated by pasting kitchen roll and paper straw wrappers on a sheet of paper to help with ‘visualising’ what was going to happen. The student was so impressed by the effort made by her tutor that she kept these to inspire others who might be making things for her. Every little bit of effort we can make is appreciated and goes a long way!

Two sheets of paper with kitchen roll and other papers stuck on top making zig zag patterns and patches.
Fig I. Outline map of areas being sampled made with kitchen roll and straw wrappers.

As Alice mentioned in Part 2, do bear in mind that any tactile resource should be used in context and in conjunction with a learning opportunity. Some items are less useful as an independent learning resource, especially if there hasn’t been an explanation of how to navigate the resource and what to expect on a page. After an initial introduction, they can be very helpful, especially when supplemented with audio via the Penfriend, or while the actual data is being interrogated digitally with a screen reader. Tactile resources may be more familiar for students who studied braille than students who lost their sight more recently.

One more thing to bear in mind is whether your learner has any aversions to certain textures. This is going to be useful to know in advance rather than spending too much time creating a resource only to find it’s not usable by the student.

Going digital

As I looked for more resources around accessible heatmaps, I came across an MIT open source library called Olli. This converts visualisations into keyboard-navigable tree structures of information, allowing a user to drill down at varying levels. (The MIT Visualisation Group has several publications that are worth a look.)

Although this is the kind of work that is absolutely essential and so useful for making information accessible to all, learning isn’t just about absorbing information; it’s about interacting with, creating and evaluating as well. As Natalie Curran, one of the co-authors of An Accessible Maths Journey, said to me, students want to do more than just passively receive information. They need to be able to make notes, see what happens when they change something, make their own versions and interpret those results and so on. They need to have the agency and the means to run their own investigations and we need to find ways to enable this.

One of our upcoming blog posts will delve into our VI student’s journey into learning RStudio with the BrailleR package. RStudio is widely used at the University for data analysis and visualisation. Adding the BrailleR package means that the outputs are made accessible to screen readers and braille users, and we’re finding it also makes for a great accessibility checker for anyone using RStudio to generate charts and graphs. By learning to code, our student is able to run their own interpretations and analysis of the data. Having a foundational understanding of what boxplots and heatmaps look like helps her to understand what she is generating. I don’t expect to have to create multiple heatmaps or tactile graphs for this student in the future, now that the foundation has been laid for her interpretation of the digital data. As she progresses on her learning journey, access to a braille embosser is going to make a big difference in our ability to turn around timely resources to match her learning pace.

Braille embossers, third party suppliers and qualified staff

From discussions with others in the HE and FE sector, what is clear is that most Universities are not equipped with the right technologies, know-how and expertise to support the increasing numbers of VI students joining us. Thanks to the Equality Act 2010, we are getting an increasing number of VI students who are making it successfully to higher education (HE). However, we don’t usually have a QTVI (Qualified Teacher of Children and Young People with Vision Impairment (QTVI) in our midst. Young people may join us from specialist colleges who are then expected to navigate HE based on everything they’ve been taught up to that point. What I’m finding is that there can be a big gap and there is limited continued support for that young person – the council don’t cover support for a VI person at Uni, and the Uni may not have the qualified teacher who can help. Hence we seem to be learning as we go. I know we can outsource the creation of tactile resources to transcribing companies, but these often come back slightly out of context, and without any input from the learner or even the tutor. It can also be very expensive and suffer from a significant time delay. Through the DSA, VI students can access external Assistive Technology Trainers but these people cannot help with Uni-specific systems or software.

I have no answers to the conundrum but I’m grateful:

  • To find others who are on the same journey like Ros Walker at St Andrews and others on various mailing lists,
  • For Perkins School for the Blind in the US and their amazing website; they have bothered to capture so many articles and guides that can be delved into at the point of need,
  • That the tutors and Disability Services are so quick to respond and support our VI students,
  • Our VI students are willing to teach us all they know to enable us to do our jobs of supporting them.

The journey continues and we will be pleased to hear from anyone with ideas of how to gain more recognition for the gap in support for our VI students in HE and more concerted efforts to close that gap.

References

College readiness. (2021, June 14). Perkins School for the Blind. https://www.perkins.org/resources-stories/college-prep/

Image Description Guidelines. (2015, July 31). DIAGRAM Center. http://diagramcenter.org/table-of-contents-2.html/

Mayer, R. E. and Moreno, R. (2003). Nine Ways to Reduce Cognitive Load in Multimedia Learning. Educational psychologist, 38 (1), pp.43–52. [Online]. Available at: doi:10.1207/S15326985EP3801_6.

Related posts

Creating Tactile Graphics for VI students – part 1

Creating tactile graphics for VI students – part 2

Reflections on our Supporting visually impaired students workshop.

Creating tactile graphics for VI students – part 2

Tactile resources and alternative formats

This is the second blog post about our efforts to find alternative formats to make teaching materials accessible to visually impaired students. Previously on this blog, Lilian’s blog post focused on the challenges of expressing different kinds of graphs in tactile formats, a common problem in supporting visually impaired students in STEM subjects. However the varied teaching at the university can present a wide range of resources which need rethinking in order to be made accessible to visually impaired students.
This blog post outlines examples of some of the issues which we’ve encountered and how we’ve tried to tackle these. Most online resources available for tactile resources are designed to support primary and secondary education. With increasingly specialist content as study progresses, there are few if any online resources available for some of the problems which arise and little guidance as to how to tackle these challenges. Hopefully the examples here might help staff and students encountering similar problems – but if you have answers to any of these please let us know! We’re very aware that we’re experimenting with formats and solutions, and we’re always learning more about what works and what does not.

Mapping uncharted territory

Maps present a perennial problem when needed as an accessible resource. One set of examples arose around a student taking medieval history courses. The primary content of the course was textual, with translations of original sources and passages from secondary courses as assigned reading. Maps weren’t the main resource used, but maps were used in these courses to support understanding of the movement of armies across Europe, the Middle East and North Africa. This isn’t unusual. Maps can provide easy visualisations of territories won and lost, changing national borders, emerging and changing trade routes, the locations of battles, the paths of armies, the spread of languages, diseases and more. However in most cases, the map isn’t necessary to the learning outcome. It helps the understanding of the topic, but the student is not expected to be able to accurately read a map or reproduce one for assessment, rather to discuss the events plotted on it. This was certainly the case for the medieval history courses – the maps were to illustrate the course of armies, but weren’t the primary resource for students. So how best to convey this information? The teaching was remote, so the resources needed to be digital. In this case, we recommended the tutor write short summaries of what she wanted to convey with the maps. Typically this translated to a brief description of the movement of the army, moving from a particular direction through territory, with dates and locations of battles noted. This gave the essential information but avoided lengthy descriptions which would add to the student’s cognitive load, whilst not actually adding useful information in terms of the course content. 
However, the different use of the map in teaching can dictate the approach. Maps are a common feature in archaeology teaching and the scale can vary hugely –  for example on a global scale indicating trade routes of materials, the plotting of similar sites and finds across areas at international, national or local levels, or site specific maps, marking finds across a particular dig. Location is effectively a data point for finds in such maps – but how can this be conveyed to a visually impaired student? The context of the map is important. What information does the student need to gain from it? In some cases a descriptive written outline, as used for the medieval history instance, may be sufficient, but elsewhere a tactile version may be more useful. 

The photo below shows various approaches to the same map, which was part of the materials for a student workshop exercise. In the upper left, is a printed version of the map which provided the template for the example on the upper right. I traced the map from the printed version onto German film and then traced over the outline again on the geometry mat to create a tactile version of the map. The tracing is difficult due to the texture of German film, but this did produce a tactile map where both the dots and the lines were easily perceivable.

3 examples of the same map, printed, tactile with German film and tactile with Swell paper.
Different examples of the same map, printed, traced on German film and printed on swell paper.

The target student studies in person, reads braille and has a PenFriend Audio Labeller, which opens up different options for tactile diagrams. On the map, different archaeological sites are marked with dots, whilst the underlying geology is indicated by lines on the map. I digitally edited the original version of map to enlarge and remove the text labels – labels could then be added back into the tactile versions either with braille tape (although as discussed in the previous post, this has a tendency to curl, especially if stuck on German film) or using PenFriend stickers. In the centre in the lower part of the photo is the attempt to print a tactile version of the map on Swell paper, using a heat emboss printer. We’re restricted to A4, which is limiting, as the lines need to be quite thick to create perceivable designs. The need for thick lines across a relatively small page limits the detail possible – as well as potential space for any braille labelling. This is a problem in creating diagrams for Higher Education study, as all the examples in the materials that accompanied the printer are designed for primary school use. I judged this design to be simple enough to be possible with the heat embosser, but the result was not very successful. The dots raised well – this was a pleasant surprise, as areas of solid ink often bubble, creating an unpleasant texture for students to work with. However the lines were too fine to be easily perceivable, so the map as a whole was not workable.

This example illustrates the issue of time put into these resources and how useful they might be. This map is for a single workshop exercise – it is not key content for the course. I considered trying to digitally re-edit the map to create thicker lines. The texture of the Swell paper means that the heavily inked the design, the greater the risk of smudging as it is printed – which in turn can make a print unusable. In this case, this was further complicated by the fact I was not working from the original diagram, so the digital editing was not as straightforward as it might be. Ultimately, I decided against it. In the standard workshop handout, this map takes up half an A4 page, as the basis of an exercise. This shows how much time and effort converting something seemingly small and simple into a meaningful and usable tactile resource (or alternative format of any kind) can take.

Experiments for archaeology- but not experimental archaeology

Archaeology teaching is also the source of the next example – from a workshop discussing morphology. One of the examples for the workshop was Moche stirrup spout vessels, a very specific style of pre-columbian ceramic. These pots have a looped spout above the pot and range from simpler forms, to surface decorated examples, through to complex pots in the form of heads, figures and animals. This image (used under Creative Commons, photo by Miguel Alan Córdova Silva) of a museum case of Moche stirrup vessels illustrates some of the range of forms, from the simpler vessels at the top, the head form examples on the middle shelf, to the full figures, including animal headed figures on the lowest shelf.

A museum case of Moche stirrup vessels.
A museum case of Moche stirrup vessels showing the variety of shapes they can take.

Thankfully the workshop was concentrating on the variation of the simpler forms but this still presented a challenge. The spout is in the form of a stirrup, thus the name of the pot – but how useful is that to someone with little to no sight? A stirrup is not a sufficiently familiar object to most people for that to be a meaningful descriptor. I thought that a model of the basic form might be a good starting point – if somebody can handle a model and understand the essential form and structure, they then have a starting point from which they can extrapolate what variations would be like. 

My first thought was whether it might be possible to 3D print a vessel. At the University of York, I’m lucky to work in the same building as the Creativity Lab and YorCreate, so have access to 3D modelling and editing software, as well as 3D printers. Unfortunately even the simple forms of these pots would be complex to digitally model and beyond my very limited skills. However, the increasing availability of 3D models of artefacts from museums meant that printing still might be a possibility. Many museums are starting to make digital 3D models of items available through platforms such as SketchFab. Not all of these can be downloaded to print and not all are free, but it does open up possibilities for printing handling models of archaeological artefacts, which could be a great accessible resource. 

Nevertheless, even with an existing 3D digital model, these are still complex items to print. More complex prints require printed supports – either built in from the same print materials and designed to be snapped or cut away from the final model, or printed in PVA, so the final print can be soaked and the PVA props dissolved away after printing. This makes designing the model potentially more complicated – which approach will you take? If it’s an unfamiliar form – and this was – you have less idea how this will print. Additionally, the printing would have needed infill – effectively creating a solid object (albeit the inside is typically printed a honeycomb rather than truly solid) rather than as a vessel. This could change how someone fundamentally perceived the object. 

Whilst none of these are insurmountable challenges, they are complicated and they do take time to address. Time was not on my side – the materials were needed in just over a fortnight’s time. I do want to explore more 3D printing and building up a library of replica objects, but in this case, it was too complicated and too time consuming a solution.  

These are ceramic vessels. Whilst actually throwing a pot and firing it was not going to be possible in this time frame, air drying clay seemed like a possibility to create a small model of the basic stirrup vessel form. This had the advantage of being quicker than the 3D printing, could be created as a hollow vessel and whilst not the right kind of clay, air drying clay would be closer to the original ceramic in weight and texture than the light PLA plastic of the 3D printers.

So I bought some air drying hobby clay on my way home and that evening attempted to create a Moche style stirrup vessel. Whilst my favourite forms from the pictures I’d seen when searching for examples were the animal shaped vessels, I was again relieved that the session seemed to be on the morphology of the plain forms! Air drying clay is far stickier than clay otherwise used in ceramics, which made the modelling process challenging. There is a long tradition of experimental archaeology, with researchers trying to recreate artefacts to understand the techniques used. This was not that!  As shown in the photo, I resorted to various modern aids unavailable to the Pre-Columbian potter, using existing objects like a glass as a mould for the vessel, using a craft knife and pencils as modelling tools and relying heavily on scrunched tin foil to create a prop for the arch of the spout as the vessel dried.

A clay moche pot in the making, surrounded by various tools.
A clay moche pot in the making, surrounded by various tools.

The attempt was moderately successful: I did manage to make something approximating the shape of the Moche stirrup spout vessels, it was a hollow ceramic vessel, I did manage to get this safely from home to campus without it breaking and it was allowed to fully dry out safely in the office, as pictured. 

The completed moche pot.
The completed moche pot.

Was it worth it? I don’t know. This was a resource designed so that the student could more fully engage in a workshop, but I didn’t get feedback that it had been that useful. As a resource for a single workshop, this was a labour intensive solution. I think creating more models has potential to support courses in future, but less so for standalone workshops. Certainly more lead in time is needed, especially for 3D printing. 

Decision trees – and leaves

The next examples are from trying to create materials to support a Biology project. The students were given a plant ID key to identify meadow plants, to enable them to establish the diversity of an area. The plant ID resource consisted of images of each of the plants, with a decision tree format of questions. The questions were designed to refer the user to different sections of the guide and eventually, through the questions, identify the plant. They could compare the specimen with the picture. The user was intended to skip to different bits of the guide, indicated by colour and letters. This is not an accessible resource for a visually impaired student – but how to create a meaningful alternative format?

A decision tree or flow chart process is not easily navigated by anyone reliant on a screen reader or magnification for access – even less so if they are complicated. The student who would be taking this workshop uses a screen reader. I decided that the best way to replicate the decision tree process in an accessible format for them would be to create an internally linked Google Doc. This could retain the questions and descriptions from the original source, but a hyperlink to each section would make it easier to navigate the source as needed, without requiring the user to jump about the source in the same way. I thought this would also enable the student to follow the same decision making process in identification that other students on the course would be following from the original resource. 

This took care of the decision tree itself, but not of the use of diagrams within it to help the user identify the plant. These outline diagrams showed leaf placement and the leaf shape – effectively a visual glossary. Without this, it would be less clear to the user what they were being asked, when needing to distinguish between a cordate leaf, a palmately-lobed leaf or a bipinnate leaf. I created two resources to try to provide this information, one digital and one physical. The supporting digital resource was simple – a glossary of terms, written to describe things clearly and concisely, with as little visual bias as possible. The physical resource was a set of card leaf cut outs, designed to be a tactile way of conveying the shapes of different leaf shapes. These were a little cruder than the diagrams in order to be successfully cut from card and be usable – most notably the stalk of each leaf had to be reasonably thick. I cut these to have a square base at the end of the stalk, which was large enough to accommodate a hole punch, so the whole deck of card leaves could be joined together with a treasury tag.

Leaf shapes cut out of card stock.
Leaf shapes cut out of card stock and held together with a treasury tag.

I labelled each leaf, but given the nature of the cut shapes, these were not really suitable for braille labelling. However the identification task was to be done in groups, so the student would have sighted colleagues who would be able to read the text and find the relevant leaves. This was a successful resource – feedback from the student was that it was helpful to be able to feel leaf shapes and that it also made it easier for other sighted members of the group to think about and identify leaf shapes.

Reflections

As Lilian discussed in the Tactile Graphics post part 1, not all resources need to be durable. Some handouts are designed for students to keep and refer back to as needed, whilst others are ephemeral, designed to provide information for specific workshop, activity or taught session, but not needed beyond that. It can be difficult to determine how much time and effort should be devoted to experimenting with accessible formats of what are essentially going to be disposable materials. Spending too much time on developing complex alternatives to materials which are intended as background to a workshop is not a good use of time which could be better spent on ensuring essential materials are accessible as possible – and can also distort the time management of the student, directing them to give greater attention to less consequential materials. 

Cognitive load is an issue here. Are all ephemeral or transient materials necessary for the student to have as long term resources? It is harder for visually impaired students to distinguish between materials, which can lead to materials intended for short term use being conflated with long term resources and given as much attention, which ultimately risks distracting the student from the more important materials. Looking at the learning outcomes, both for individual sessions and for modules as a whole, can help ascertain which materials are essential to support the student. Considering what exactly the student is required to do whether at a workshop, a course or an assessment level can determine which materials are required to achieve this, and which might be considered more as background or as not strictly necessary to achieve the learning outcomes. 

The main lesson which I have taken from all of this, is that context is critical. When resources are supplied by a lecturer with a request to “make them accessible” but with little information about the session, it can be difficult to work out the importance of each resource for the seminar or workshop. Getting the emphasis right, as to which resources to prioritise, how durable alternative formats might need to be and even how the resources might need to be used, all requires some awareness of the context in which these resources are intended to be used. Understanding how resources are intended to support teaching is critical to this. So, materials aside, I think creative thinking and contextual awareness are the most important elements to produce meaningful tactile resources.

Related posts

Creating Tactile Graphics for VI students – part 1

Creating Tactile Graphics for VI students – part 3

Reflections on our Supporting visually impaired students workshop.

Creating tactile graphics for VI students – part 1

Alice and I form the digital accessibility unit at York. Disability Services often refer students to us for additional digital skills support. We also offer support to the lecturers who are working with these students, some of whom have severe visual impairment. We had a discussion about our experience so far this academic year on creating tactile resources for students. Although we both work in the digital field, there are things that are easier to understand through other means, and tactile resources can provide a good supplement for visuals and technical content. In part 1, Lilian explains her process of thinking through when and how to make tactile STEM graphics for a student. Equipment mentioned is explained in the heading ‘What tools do you need to make tactile graphics?’.

How do you decide when to make tactile graphics and who will make it?

If a lecturer asks me to help make tactile graphics, my first question would be to ask ‘how many’ and ‘how disposable are the graphics’? By this, I mean how much time does the student need to spend with the material to understand the visual concept. If there are 20 graphs and they are not too complex, asking the lecturer to have an appointment with the student and drawing them on a tactipad and plastic film (also known as German film) is often a good approach. You can build up the diagram bit by bit, which is easier for the student to understand than supplying a finished product. The student or the lecturer can then use a braille labeller to label the diagram.

A student exploring a diagram on her TactiPad.

It’s worth using a marker to label the diagram as well so a sighted support person can help identify what the labels are in future.

We’ve had challenges with the sticky braille labels falling off the plastic film so we would recommend using double-sided tape to tape them down. (Update 9 May 2025: I would aim to stick labels on paper rather than the plastic film if you want them to stick around! See part 3.)

If the resource needs to be handled for a bit longer, and has complexity, then I would get involved in making the resource for the student.

How can the student’s peers get involved?

A quick way to convey simple graphs that don’t need to be stored is to use a pinboard (or even the tactipad) with pins and string. This might be good for a quick scatter plot explanation, or even how a gradient changes if something in an equation changes. This is a good way for the student’s peers to get involved in collaboratively producing something tactile as an immediate resource for discussions. It helps them to understand how to work inclusively but also provides a physical way for the group to work together with data.

Braille graph paper, available from the RNIB shop, could be useful for this kind of work.

Braille graph paper

Other items that can prove useful are Wikki Stix, a kind of waxy string that sticks to paper, allowing you to create fluid shapes that will stay in place. This could be used in conjunction with previously prepared tactile backgrounds. In the image below, a cell diagram was prepared by the student’s teaching assistant (during A levels) using Swell paper with Wikki Stix added on top of the cell diagram.

Wikki Stix on a diagram made on Swell paper.

Florist wire and pins on the TactiPad can also be used to good effect, as demonstrated by a student in the image below.

TactiPad with pins dotted across it. A student uses some florist wire to indicate the line of best fit through the pins.

When would a lecturer make tactile resources with a student and when would they do it in advance?

When a diagram can be drawn easily on a TactiPad, but would end up being too complex once it’s completed, it’s worth building up the diagram with the student in a face to face tutorial, drawing up one bit at a time.

Some figures are straightforward enough for the lecturer to prepare in advance. We advise departments to purchase a geometry mat (a cheap version of a TactiPad) and some plastic film so they can create their graphs easily. Below is a graph that shows the trade off between soil and plant carbon storage. It’s been prepared by the lecturer in advance to use in a session with students so a helper can pull out the graph which is labelled, and put it in front of the student. Adding the labels in handwriting is a necessity for sighted helpers or peers to use this with a student.

Graph with braille labels produced by lecturer on plastic film.

This can be seen as a ‘disposable’ graphic since once the concept has been illustrated in class, the student should be able to understand the concept without a tactile aid. The student is unlikely to want to work through piles of graphs like this on their own, but if they do wish to keep them, I would notch the top right corner of the graph (cut away the corner) to help them work out which way is up, add the week number, slide number and figure number and possibly a bit of context. This can be a lot of work if you have several graphs. Plastic film can be lightweight but a pile of these with labels would soon become too bulky and unwieldy to store.

You’ll also note that the labels are curling up and wanting to peel away from the plastic film. This is a constant battle with braille labels made with a braille labeller. The easiest thing to do is to add a bit of double-sided tape to ensure the labels stay put. I’ve seen advice from other VI instructors to try using Dymo tape instead in the labeller. (See updated advice on this in Part 3.)

What’s the thought process in making one of the more complex resources?

Box plot example

One example is the box plot I made for a student’s Bioscience module recently. It took me multiple attempts and several hours! Fig A is the digital image and Fig B is the tactile resource I made.

Fig A. Shannon Diversity Index box plot supplied by lecturer
Fig B. Handmade tactible version of Shannon Diversity Index box plot.

The box plot was sent to me as a digital image so I had to create it on graph paper first. I quickly worked out that A4 landscape would be too small to fit in all the detail and the braille labels so I decide to make it an A3 size. The challenge is trying to stick 2 sheets of plastic together! You’ll see a big paper seam in the middle of the box plot. This allows the resource to be folded so that’s a benefit, but the plastic film would not stay stuck to any kind of clear tape. In the end, I had to use double-sided tape and a paper seam to keep the thing together. I’ve since found some A3 laminating pouches that I think will work in a similar way to the plastic film so I’ll give that a go.

Drafting what you need on graph paper can be helpful as you have to remember braille takes more space. I made sure there was space for a key as well at the top of the graph.

Next, I had to work out how best to convey the grid lines in such a way that they wouldn’t create too much cognitive load. I used solid lines at 0.00, 0.25, 0.50 and 0.75, with dotted lines in between to indicate intermediate values. I decided to braille the labels directly on to the plastic film rather than using the braille labeller since the labels tend to fall off. After making a couple of mistakes and having to start over again, I recommend brailling any text or labels onto a separate sheet of plastic film, cutting them out and using double-sided tape to stick them down. That way you can adjust where the label is going to go as brailling directly on to a diagram is hard to correct if there are any spacing adjustments you want to make.

Fig C shows me using a manual braille slate to press the braille dots into the plastic film. It also shows the difference between lower case x and upper case X in braille. Manual braille takes a bit of getting used to; you have to press the dots into the film back to front so they are the right way around when you feel them. There is a level of cognitive load in flipping the characters you are brailling. I type what I need to braille into Brailleblaster on my laptop so I have a reference to work with, and can work out how many characters I might need. Capital letters and numbers need two cells, for instance, so it’s not as straightforward as just counting the characters of the text.

Fig C. Manually adding braille labels to a diagram. The letters x and X in braille code.

The nature of this box plot meant I had to find 3 different textures to indicate the different temperatures which are visually conveyed in colour. I had to ensure it was something that had a fairly firm edge to help with perceiving the upper quartiles and lower quartiles. I used some plain card, some leftover wallpaper that had a texture and stuck some mesh bag on to card for the third option. Each whisker was drawn directly onto the diagram but the upper and lower extremes were indicated with a braille dot to make it more perceivable. I left out the median line at this point because I felt it would be easy enough to score them in when the lecturer was explaining the box plot to the student. Starting with a simpler version is always best. In this case, I couldn’t easily replicate the resource multiple times and build it up in complexity because it would take too long! Outliers were simply indicated with a big dot.

I made a mistake on a whisker in the box plot and rather than make the resource all over again, I covered the mistake with clear tape and indicated the mistake in text for anyone using the resource with the student. The correct placement of the dot at the top of the whisker should help to indicate the correct upper extreme.

Labelling

Students have said to me that it’s hard to work out which ‘graphic’ is being referred to in the text of their lecture notes. Luckily this lecture series has 3 key figures and the lecturer said they would clearly state which figure they were referring to. Ideally, the graphic should also be labelled with the module and week number, but this labelling could be done to the pocket sleeve that holds the graphic rather than being on the graphic directly.

Scatter plot example

Another example is the scatter plot.

Fig D shows the digital version and Fig E shows a close up of the tactile version.

Fig D. Scatter plot supplied by lecturer.
Fig E. Scatter plot made tactile on plastic film.

I had to figure out how best to convey the data points. I took the idea of using 3 dots to indicate a data point from the PathsToLiteracy.org site about creating tactile tally charts. This meant it was easier to sense how far apart each point was on the y-axis. I decided to leave out the regression line and again, suggest to the lecturer that the student score this in with their help after exploring the scatter plot. The regression line was indicated in pen for the sighted helper.

I had the dilemma of how to make data points perceivable if they were on the grid lines. 3 dots on a solid line is not easy to tell apart so I decided not to score the grid line near the data points.

I had to make the scatter plot A3 in size, but I feel an A4 version may be helpful to give the student the overall impression in a more meaningful way while the A3 version allows more detail of where the data points bunch up and how many there are.

Heatmap

Fig F shows a heatmap that the students need to use in the workshops. We discussed printing this on Swell paper, but this is unlikely to produce enough definition to easily perceive the different values in the matrix. I haven’t yet created this resource but plan to use 1 dot for dark blue, 2 dots for mid-blue etc. With a key supplied, this should be a good way to make the matrix perceivable.

Fig F. Heatmap supplied by the lecturer.

What tools do you need to make tactile graphics?

You can make tactile graphics out of anything and it’s worth being creative with various textures and materials. However, there are some standard tools available to support the making of tactile graphics.

  1. TactiPad – The TactiPad has a rubbery surface. When some plastic film is placed on top of it and a line is scored, the line can be easily traced with fingers. The line is a ‘positive’ rather than a ‘negative’ impression, in other words, scoring the film on a tactipad creates a raised line. This makes creating graphics simple since you can simply draw as you would on paper without having to do things in reverse. Our student had a TactiPad from doing her A levels and brings this along to tutorials and group work so tutors and peers can make graphics easily with her. The TactiPad is a slightly bulky tool but worth the effort to aid communication. I purchased two different versions for my own use: Sensational Blackboard from the US and the geometry mat from RNIB. My favourite is the Sensational Blackboard as it is flatter and has a rigid base. The geometry mat we fondly call ‘fake skin’ and we lend this out to lecturers who are preparing materials in advance. I’ve tried to score on a basic rubber mat but found that it doesn’t create raised lines. There’s some property of the material in the geometry mat or TactiPad that makes the plastic film score ‘up’ rather than ‘down’.
  2. German film – also known as plastic film or embossing film, they come in A5, A4 and a size that fits the tactipad (27 x 34 cm). You can emboss on thick paper, but it’s likely that the paper will flatten as the lines are traced whereas with plastic film, the lines stay raised on the plastic. Paper is also more likely to tear when being scored, compared to plastic.
  3. Braille Slate – These are easily available from online stores on the Internet and come in all shapes and sizes, from small notetaking slates to A4 slates. They allow you to create braille but in reverse. UEBOnline is a good website to use if you are going to learn braille. There are many YouTube videos and websites that will explain the braille code. The main thing to know is that we use UEB (Unified English Braille) and for maths, we use UEB maths. In the USA, they use nemeth code for maths.
  4. Braille labeller – Available from the RNIB store, these are like Dymo labellers and allow you to press braille into a sticky label to use with diagrams. Unfortunately, the labels don’t seem to want to stick to the plastic film so double-sided tape is advised! I also find it easier to just manual braille the longer labels onto film, cut that out and stick it on rather than using the braille labeller, but it’s a handy tool for anyone who doesn’t want to learn braille. You are limited to uncontracted braille which can make for longer labels. Learn about uncontracted versus contracted braille.
  5. Perkins brailler – A Perkins brailler is like a manual typewriter that will make embossing much quicker on paper or on film. However, you would need to learn to type in six-dots, which is the standard input method for braille code.
  6. Brailleblaster – This free software runs on your laptop and allows you to type in text and maths and see the braille code that you can then produce for your diagrams. It’s possible to print braille – see the section on Printers below.
  7. Pin board, string and pins – A large pin board with string and pins can be a useful temporary surface for sketching out quick concepts like graphs, gradients and scatter plots.
  8. Wikki stix – These are slightly tacky (to the touch) bits of wire that will stick to each other or to paper and plastic, like blu-tack would do.
  9. Penfriend – This is an audio-labeller. You stick a penfriend label on a diagram and you can record a description of it to play back later. Some students may have this which can help you create resources together.

Aren’t there printers that can make these tactile graphics?

There are machines that can help in making tactile graphics.

PIAF tactile image printer or Zychem’s Swell Form Tactile Graphics machine are two such machines. They have to be used with Swell paper which has a special coating. After printing a graphic onto Swell paper, you put it through the machine which causes the areas with black ink to ‘swell’ up. There are lots of tricks needed to make good graphics with swell paper which my colleague, Alice will write about in part 2. We use a combination of manually created diagrams and those generated with a Swell machine depending on what works best.

Fig G. A resource created by a student’s helper during A levels. Braille labels and sticky dots have been added to a Swell diagram.

Braille embossers – These machines emboss raised dots onto braille paper and are therefore useful for creating braille text as well as diagrams. Not all braille embossers can do diagrams, and not all of them can generate different height dots. Some will print out in coloured ink as well as embossing dots like the SpotDot embosser. These are very expensive but it’s on our wish list!

Braille embossed diagram

Aren’t there braille pin boards that can dynamically create diagrams?

You would think so, wouldn’t you? These items are only just coming to the market in 2025. One example is the Humanware Monarch. Other examples are mentioned in my previous blog post on the Braille in Focus event under Braille Technology.

What about shapes that are 3d in nature?

My colleague, Alice, will discuss how we’ve created some 3d objects using clay and 3d printers to supplement student learning in the next blog post. We also show how a student has used voice labels to help with remembering anatomical structures on a skull!

Conclusion

Tactile resources can be quick and easy to make or be time consuming or expensive and reliant on having the right equipment. Several lecturers have now learned to generate quick tactile graphs to support their students and for that, we are very grateful. The minimum tool set has to be the geometry mat (at £13.50) and some plastic film. I would advise anyone starting out to speak to their Disability Services to coordinate the purchase of these resources to ensure they can be used across several departments if necessary.

We would welcome any advice from others who have made tactile graphics for their higher education students as we have so much more to learn. Please either leave us feedback below or get in touch: digacc-support@york.ac.uk.

Acknowledgements

Many thanks to Dr Robert Barham, Lecturer in Mathematics at the University of Leeds for reviewing my initial blog post draft and making suggestions for changes. Robert is also supporting a VI student at Leeds and together we are building knowledge in this area. We hope to showcase more of his input as we continue to explore this topic in ensuing parts.

Many thanks to the lecturers who have given permission for their diagrams to be used in this blog post. We are very grateful for their hard work in supplying these for the blog post and for aiming to make their content usable by their sight-impaired students.

Many thanks to Alex Holland, our photographer, for many of the photos at our workshops, and our students who provided examples for us to capture.

Useful reading

Hinton, R. (1996). Tactile Graphics. Edinburgh, Scotland: Scottish Sensory Centre. [Online]. Available at: https://www.ssc.education.ed.ac.uk/resources/vi&multi/Hinton/hinton.pdf.

McCormack, G. (2014). Creating Large Print and Tactile Graphs. [Online]. Paths to Literacy. Available at: https://www.pathstoliteracy.org/creating-large-print-and-tactile-graphs/ [Accessed 28 February 2025].

Tactile Graphics: A How To Guide. [Online]. Available at: https://www.tactilegraphics.org/index.html [Accessed 28 January 2025].

(2015). The Use of Wikki Stix Within the Classroom. [Online]. Perkins School for the Blind. Available at: https://www.perkins.org/resource/use-wikki-stix-within-classroom/ [Accessed 28 February 2025].

Related posts

Creating Tactile Graphics for VI students – part 2

Creating Tactile Graphics for VI students – part 3

Reflections on our Supporting visually impaired students workshop.

AI and Accessibility: feature, the future or fad?

What do we mean by AI?

The term AI is used a lot. From the context, you’ve probably guessed we’re not talking about Avian Influenza or Artificial Insemination, but instead we’re in the realms of Artificial Intelligence. But even then, what do we mean by AI? It’s something of an umbrella term now, but the phrase “artificial intelligence” was coined in 1956, to describe computers doing tasks in a way that mimics human intelligence. What tends to be referred to in current debates around AI is “Generative AI”, meaning AI designed to generate new outputs based on existing outputs. 

Generative AI is by far the more contentious. More traditional AI has long been a staple of assistive software and accessibility features – it’s what powers spell check tools and voice recognition to enable dictation. However, these tend to be features within a program and aren’t generating content. Spotting typos in your essay is very different from writing passages of it; transcribing your dictation is different from composing it for you. It helps you produce your work, it doesn’t create content for you. With generative AI, the clue is in the name – it generates content. Rather than mediating the process for you, it generates material – be that image, text, music or code. AI features have been transformative for digital working for many disabled people, but as generative AI is introduced more widely, there are also potential risks. It’s the addition of these generative AI features into assistive software and their marketing as accessibility tools that this post will consider.

General concern around AI tools and features

In this post, I’m approaching AI from the perspective of assistive software and accessibility (and this is just a blog post, this is by no means comprehensive) but there are wider concerns about the use of generative AI that I need to acknowledge – each of which has an impact on use regarding accessibility. The first much discussed and yet to be tackled problem of generative AI is environmental cost. These are energy hungry tools and their water consumption alone has been cause for concern, as the data centres that power them require vast quantities of water for cooling. There are potentially beneficial uses of generative AI, but the environmental cost of using these tools means we need to be sure that they are really adding value. If there isn’t a clear use case, why is an AI element being added? These products come at significant energy and water consumption cost – their output needs to be worth this price. Disabled people are disproportionately impacted by environmental disasters and climate change. In trying to find a quick solution to a tech problem, even to improve accessibility, use of these tools could be contributing to the long term and global difficulties that increasing climate change brings to disabled people (as well as to the planet as a whole).

The second of the elephants in the server room is security. Because of the proprietary nature of algorithms, companies are not very transparent about what their tools do with data, with key security questions for any digital tool being what data is accessed, what data is stored and where it is stored. Whilst extensions can provide additional accessibility features, these constitute third party processing. If the only way to make a package accessible is to use third party tools, this potentially puts the disabled user at a digital disadvantage, potentially left with the dilemma of choosing between an accessible feature they need or keeping their data secure. 

Cartoon strip of a cat with a paw on a mobile. Picture 1 is a smiley face above the cat with the mobile phone saying,"We help you order cat fud via paw print!". Picture 2 has question marks and exclamation marks above the cat with the phone saying, "Your cat fud preferences will be used to train our AI shop assistant."

The third issue is copyright. It’s possible to use some tools without the materials being processed being used to train the underlying AI, but this isn’t standard. Many AI tools access, use and repackage data from copyrighted sources. This is a risk both with any research data or original work being used with AI tools, and also in using AI tools to access published literature. It’s a complex landscape, although this JISC introduction offers a useful overview of the key issues. From an accessibility perspective, one of the most heavily marketed academic uses of AI is for summarising articles, commonly promoted for those with SpLDs, neurodiverse individuals and anyone with cognitive load issues. But where have you sourced the article from? If it’s from an academic library subscription, can you use it in this way? Many academic publishers have clauses in agreements specifically prohibiting use of AI tools with their published materials – covering articles, books and datasets. In which case – why pay for a tool that promises to summarise material for you, when you can’t use it without breaking the law or specific user agreements? The legal situation is still unclear, but historically, publishers are litigious – time will tell how this will pan out. But aside from the legal questions are the ethical ones – has the author agreed to this use of their work? Does using a summary tool inherently mean offering up an author’s intellectual property to train AI? It’s a fast moving and still developing field. We’re still trying to assess what long term impacts might be and where problems have arisen, few (if any) legal precedents exist. Hopefully some of these problems will be resolved and there is movement towards this – developers have created models which only work with open data, so tools which work within copyright law are available. However, until this is the norm for the products offered from the big tech companies, this remains problematic. Encouraging users to build working practice that depends on these tools risks offering an assistive tool, only for the legal issues to see it being withdrawn, or offers a potentially assistive tool that supports one group at the expense of another – supporting those disabled users who find it beneficial by exploiting the intellectual property rights of the authors. Both the security and copyright concerns put disabled users in a very awkward position. By using generative AI unchecked in products, the digital tools which could offer transformative support put them at risk – of poorly protected data, or breaking GDPR or copyright law, or exploiting the intellectual property of others.

See also: Copyright and AI open consultation by gov.uk

Within an assistive software and accessibility context

There is also the risk of these users falling for promises which these generative AI tools simply can’t fulfil. Advertising overpromising new features isn’t new and AI features aren’t alone in being offered as solutions to complex problems. Snake oil is nothing new and products promising to solve the seemingly insoluble have been around for most of recorded human history. These products find a market because people have problems they desperately want help with and the sales pitch promises a solution. Some generative AI packages have been promoted towards those with ADHD, SpLDs and any cognitive processing conditions as tools which will revolutionise their productivity and workflow. But these promises are typically unproven – in many cases the software and tools are simply too new to have any properly demonstrable benefit to any specific demographic. Even with assistive software known to benefit disabled people, these don’t present uniform solutions to accessibility issues. Different individuals with the same condition will experience these differently, some may find it advantageous, others may find it of little help. As such, the wide ranging benefits promised by these tools should be understood as marketing, with anecdotal support at best. The ability for many people to safely use these at work is also sidestepped in marketing campaigns. The significant issues with copyright and security mentioned above mean that in many workplaces, these tools won’t meet cybersecurity and GDPR requirements. Even where there is no workplace barrier to using these, the user is at risk of effectively being used as training data as a disabled user. There are ethical questions about the marketing of tools specifically to these user groups (many of these are costly subscriptions) and the lack of security they offer, as this can be seen as exploitation of a potentially vulnerable group. Stability is also an issue – encouraging people to rely on tools which are subject to change and price hikes risk people coming to depend on tools which may be significantly changed, withdrawn or suddenly unaffordable to them. The cost of subscriptions to these tools can in itself be prohibitive. 

These products find a market because people have problems they desperately want help with and the sales pitch promises a solution. 

It’s not always clear what the addition of generative AI brings to a product, other than reflecting current trends and potentially adding another element to a sales pitch. For example, generative AI elements are being introduced to academic search tools, promising to find you better or more helpful results. However, the level of description and detail required in a prompt that would return useful results is equivalent to the effort and similar in construction to a structured search – it is no less effort, and the search parameters of the tool are less clear. So what value is this adding? Are consumers being charged more for new features which add little (or nothing) to a product?

Going further – could the addition of generative AI features actually make a tool less reliable? One of the most promoted areas of generative AI within an accessibility context in higher education (although also more widely) is the ability of Large Language Models (LLMs) to summarise longer documents. In terms of academic articles, this purpose is already served, at least in part, by the abstract, which typically acts as a summary of the intentions of the authors and their research. Whilst the abstract is inevitably subject to the bias of the authors, this is arguably already serving the purpose of a summary. A known issue in the use of LLMs is accuracy. These can often generate false answers, sometimes termed “hallucinations”. This is a bit of a misnomer. The LLM doesn’t think, it is designed to present the user with something that looks like other answers in the training data. So it will present something modelled on other answers – even if those answers aren’t relevant. Journalists and others have assessed the accuracy of various LLMs in various ways – this article about asking basic historical questions demonstrates that the answers generated can be extremely unreliable, even on the topic of easily verifiable facts. As such, can these tools be relied upon to accurately summarise an article? This might be fine if the summaries are just being used to identify potentially useful articles, which the user then reads in full and draws their own conclusions, but is more problematic if the user intends these summaries to form the basis of a literature review. Even if just for an initial review of documents, an LLM may be worse at summarising than you might expect. This review of LLM efforts to summarise reports suggests that instead of summarising documents, these tools actually shorten them. That is to say they represent a few key sentences from the source, but do not provide any actual overview of the work and can fail to include important elements of the work in the generated summary. Uncritically presenting these tools as assistive aids to disabled students and academics is to put them in a position of undermining the accuracy of their work. 

Cartoon cat with paw on mobile. Speech bubble says, "Summarising 10,000 articles on cats, the overarching research theme is - cat fud."

This isn’t the only area where accuracy in reflecting original sources is known to be problematic. Without further development the use of generative AI could also perpetuate inequalities by failing to acknowledge or address biases in underlying training data. Generative AI tools learn from vast data sets, often from across the internet. And whilst the internet hosts all sorts of information, it’s also home to a lot of misinformation and disinformation. Disturbingly, analytical AI tools have been shown to replicate social biases, including against disabled people, with the potential for real world harm.  In creating an answer that looks like other answers, LLMs will replicate biases. Both text and image Generative AI outputs have been shown to recreate stereotypes. False information or data is problematic but may be easier to spot than more insidious replications of bias. Whilst issues around racial biases and misogyny have received more public attention, ableism in AI is also an issue. With AI training content based on biased data and materials containing ableist attitudes, AI output will reflect and perpetuate these issues. Although often marketed to groups of disabled people as assistive, generative AI tools have the capability to perpetuate stereotypes and do harm to disabled people. 

Is generative AI an answer or avoiding the issue?

Accessibility by design is always easier than a retrofit, whether addressing physical or digital accessibility. Universal design that accommodates different needs from the start is a far more inclusive approach, anticipating a diverse audience rather than addressing different requirements as an afterthought. Currently, the way in which some generative AI tools are marketed buys into this perception of accessibility as an additional task, rather than an approach to take throughout your work. These tools are offered as ways to render your content more accessible without you having to think about it – you don’t need to take a more inclusive approach, the tool will resolve the problem of accessibility for you. 

An example of this is auto generated alternative text – using either inbuilt platform tools or external tools to generate you a short image description, rather than composing the text yourself. So if you haven’t written alt text before, seeing the generated text can be a helpful starting point – how does the software interpret the image? But the skill of image description is providing the nuance of context. If the image isn’t just decorative, why has it been chosen? Did you add it as a typical example, or because it is an exception? What is it about that particular picture that prompted you to choose it to support your message? Essentially your image description needs to impart the information that a sighted user would get from the image that a user with no sight would not – and the auto generated text won’t know what it was you wanted to convey. The automatically generated text can provide a starting point, a description you can edit or add to as needed, but to use that text as your default won’t necessarily serve the purpose of the image description. Default use without checking or editing a generated description perpetuates inequality. By providing an alternative text your content appears accessible, but unless it is meaningful, this just gives the illusion of inclusivity without actually providing it.

Cartoon cat with question marks and exclamation marks above its head. Its paw is on a mobile that says, "For this image, we suggest the alt text: fox."

Accessibility checkers are another area of automation. I’m a big fan of Microsoft Office’s inbuilt accessibility checker tools, of the Grackle extension for Google workspace and BlackBoard Ally for the BlackBoard VLE. These highlight potential problems and offer suggestions to resolve these. But the important part is the review – these don’t correct issues for you but show potential problems and it is for you as the user to make the necessary changes. These tools support accessible practice – they act as reminders and spot mistakes, but the user still needs to review their work. Accessibility checker tools also aid development of web tools. These run automated checks to identify accessibility issues, but like AI generated image descriptions, these tools need to be a starting point. They can help in the creation of a tool that is technically accessible, but they cannot replace work with disabled users to make a tool practically usable. For example, automated accessibility checkers can help you determine if a webpage can be accessed with a screen reader, but it cannot tell you about the experience of someone using a screen reader navigating a site.  Automated accessibility checkers help clear the first hurdles of making resources digitally accessible, but they can’t replace user research and user testing as a means of understanding user experience. However, AI tools are being marketed as a better means of checking web accessibility, with claims that “AI algorithms can analyze user behavior data to identify common navigation issues faced by users with disabilities”. Disabled users find their own workarounds and are frequently highly skilled users of assistive technology in navigating resources. What user behaviour data is being analysed and where is it from? Without direct input from disabled people, can this truly reflect experience? These tools have great potential to support accessible development, but they can’t replace final rounds of user testing by disabled people to determine how truly accessible an online resource actually is. Otherwise we enter a new automated era of disability erasure. The disability rights campaign slogan has long been “nothing about us without us“. Historically this has been the design of policies, services and products for disabled people by people with no disabilities – we could now risk the design process excluding disabled people in favour of AI automation.

Cartoon strip of a cat with a paw on a mobile. Picture 1 has the mobile phone saying,"Many four-legged animal models were used to design this cat tree!". Picture 2 has the phone saying, "Cats consulted, zero."

Away from academia, a pop culture example of this is found in the Marvel miniseries Echo. Maya, the series’ protagonist, is deaf and communicates primarily through American Sign Language (ASL). As the protege of Wilson Fisk (also known as Kingpin), their conversations are mediated by an ASL translator, with Fisk only learning a few key phrases. Later, Fisk gives Maya an augmented reality contact lens, which superimposes ASL signing over him when he speaks, removing the need for a translator. Maya becomes angry – despite saying she is like a daughter to him, he will not undertake to learn ASL to communicate directly with her. This example encapsulates the discomfort disabled people can feel in seeing those around them relying on tech for inclusivity, rather than changing their own behaviour. It illustrates the attitude that direct engagement with disabled people – in this case provision of a human translator or learning to communicate directly – can be outsourced to tech, that’s it not something worth spending time on. The feeling of being excluded, of seeing inclusion being an afterthought or seen as an active nuisance, is something with which many disabled people are unfortunately very familiar. 

This promotion of AI tools as a convenient way of making content supposedly more accessible with no effort raises the question of why can’t we prioritise building accessibility features rather than outsourcing it as an afterthought? Accessibility shouldn’t be relegated to automation to tackle annoyances – universal design is a more inclusive approach, not relying on AI tools to fix problems manufacturers cannot be bothered to address. It can also be seen as an oversimplification of situations, with reliance on automated or AI tools eliminating nuance and giving a poorer experience for disabled users. 

Cat with paw on mobile. Speech bubble from mobile says, "Your owner has just ordered an automated cat stroking device."

So in conclusion…

Do I have a definitive conclusion about generative AI in assistive software or generative AI tools presented as accessibility supports? I’m not sure that I do, but this is a blog post and not a thesis, so maybe that’s alright. Some people may think this is a highly critical post – perhaps in some ways it is. And full disclosure – I’m a librarian by training, I work in digital accessibility and I’m disabled. I will readily admit that all of these factors have shaped my views on the subject. I’m not here to inherently attack the concept of generative AI, but I wanted to redress material I have seen uncritically promoting these tools, particularly the marketing to disabled consumers. Traditional AI features have been transformative for disabled people, and I hope that there are generative AI tools which will have the potential to be so. But I don’t think I have seen one yet. What I have seen is the promotion of tools with questionable security and copyright compliance to groups in search of support, encouraging disabled people to use and subscribe to tools which could make them vulnerable to cybersecurity issues or be used to call their work into question. For me, there is clearly potential in this field to better provide digital support, but there are at least as many unanswered questions – and I’d want to see more of these addressed before promoting adoption of these tools. Most of all though, I feel discomfort with the way that some of these new tools are perpetuating the perception of accessibility as an afterthought, promising to automate accessible features without actually providing nuance or attention to the experience of disabled users reliant on these outputs to engage with content. However generative AI ends up being used, I believe more inclusive design is necessary, building in accessibility to products and services throughout their design, development and implementation. So how do I feel about generative AI and digital accessibility for now? I’d recommend anybody to ask critical questions of claims made for these tools; to think about what you’re automating and why; and whether and however you choose to use generative AI, to adopt an inclusive approach and not regard accessibility as an afterthought.

Cartoons created by Lilian Joy using remixer.visualthinkery.com.

Useful links:

Further reading:

Should we be training disabled students how to use Generative AI effectively?, Jisc, July 2025.

5 Feb and 11 Feb 2025 Workshop: Supporting Visually Impaired students who use screen magnifiers

Sign up for Wednesday 5 Feb • 1pm to 2.30pm • LFA/144

Sign up for Tuesday 11 Feb • 1pm to 2.30pm • LFA/144

Drawing on the experiences of staff and current students, this workshop for Uni of York staff and students explores how teaching practices can be made more accessible to visually impaired students. The 5th Feb session is repeated on 11th Feb.